cd in jewel case
A Certain Slant of Light
Thanos Chrysakis, Chris Cundy
Duration 60.36 | Released July 2020
Thanos Chrysakis | laptop computer | synthesizers |
| copicat tape echo |
Chris Cundy | bass clarinet | megaphone | voice changer |
| zither | objects |
Recorded at Red Carpet Studio in Cheltenham
on the 10th of December 2019.
Editing : THANOS CHRYSAKIS, CHRIS CUNDY
Mixing : CHRIS CUNDY
Mastering : THANOS CHRYSAKIS
Between March — April 2020
at Red Carpet Studio and Meridian Studio.
About the Artists
Thanos Chrysakis is a Greek composer, musician, producer and sound-artist. He is best known for his work in electronic and contemporary music, free improvisation, and electro-acoustic music.
With several albums to his name his work has appeared in festivals and events in numerous countries, including CYNETart Festival, Festspielhaus Hellerau - Dresden, Artus Contemporary Arts Studio – Budapest, CRUCE Gallery – Madrid, Fylkingen – Stockholm, Relative (Cross) Hearings festival – Budapest, Festival Futura – Crest - Drôme, FACT Centre – Liverpool, Association Ryoanji – Ahun - Creuse, The Center for Advanced Musical Studies at Chosen Vale — Hanover - New Hampshire, Areté Gallery — Brooklyn - New York, UC San Diego – California - San Diego, Berner Münster – Bern, Fabbrica del Vapore – Milan, Grünewaldsalen – Svensk Musikvår — Stockholm, Splendor – Amsterdam, Logos Foundation – Ghent, Palacio de Bellas Artes – Mexico City, Műcsarnok Kunsthalle – Budapest, Spektrum – Berlin, Susikirtimai X – Vilnius, Festival del Bosque GERMINAL – Mexico City, ДОМ – Moscow, Oosterkerk – Amsterdam, KLANG ! – Montpellier, Nádor Terem – Budapest, Utzon Centre – Aalborg, Center for New Music – San Francisco, Västerås Konstmuseum – Västerås, Störung festival – Barcelona, BMIC Cutting Edge concert series at The Warehouse – London.
His music was among the selected works at the International Competition de Musique et d'Art Sonore Electroacoustiques de Bourges 2005, in the category oeuvre d'art sonore électroacoustique, while received an honorary mention in 2006 at the 7th International Electroacoustic Competition Musica Viva in Lisbon (the jury was constituted by Morton Subotnick (USA), François Bayle (France), and Miguel Azguime (Portugal).
He operates the Aural Terrains record label since 2007 where he has released part of his work until now, alongside releases by Kim Cascone, Franscisco López, Tomas Phillips, Dan Warburton, Szilárd Mezei, Michael Edwards, Wade Matthews, Dganit Elyakim, Edith Alonso, Luis Tabuenca, Jeff Gburek, Philippe Petit, Steve Noble, Milo Fine and David Ryan among others.
He has written music for musicians of the Hyperion Ensemble, the Stockholm Saxophone Quartet, the Hermes Ensemble, Nemø Ensemble, the Konus Saxophone Quartett, and the Shadanga Duo among others. Close collaborations with Tim Hodgkinson, Vincent Royer, Chris Cundy, Yoni Silver, Lori Freedman, Jason Alder, Julie Kjaer, Henriette Jensen, William Lang, Wilfrido Terrazas, Philippe Brunet, Wade Matthews, Ernesto Rodrigues, Abdul Moimême, Ove Volquartz to name but a few.
“swirling around the songs was bass clarinet player Chris Cundy, like a birdsong interrupting an argument” - Los Angeles Times
Playing bass clarinet and rarified woodwind instruments Chris Cundy is a composer and performer with a practice rooted in experimental and improvised settings. His work also crosses over into popular music and he has worked with a variety of songwriters and groups including Timber Timbre, Cold Specks (aka Ladan Hussein), Thor & Friends, Baby Dee & Little Annie, and Guillemots.
Growing up in the Medway towns Chris became friends with artist and punk musician Billy Childish who introduced him to the exploits of homemade music-making at an early age. This led to a lasting DIY attitude and by the time he was 12 Chris had already started out as a street performer and busker. After hearing Eric Dolphy's music he took up the bass clarinet. He remains self-taught.
Also a visual artist, Chris studied painting at Cheltenham where he discovered a synergy between drawing practices and improvised music. This led to self-developed playing techniques using multi-phonics, circular breathing, exploring micro tonality and generally speaking a more tactile approach to the instrument. Chris also performs contemporary classical music and has premiered works by Greek composer Thanos Chrysakis. He performs as a soloist and as a member of The Set Ensemble.
He is also involved with theatre music, and recently contributed to an original soundtrack for Florian Zeller's stage play The Mother starring Gina McKee. Chris has performed at Shakespeare's Globe and toured with circus companies NoFit State, and Imagineer.
One off sessions have seen Chris performing alongside Moby, The Blind Boys of Alabama, Bonnie 'Prince' Billy, Lol Coxhill, Vieux Farka Touré, Fatoumata Diawara, Alexander Hawkins, City of Birmingham Symphony Orchestra and Lisa Hannigan.
He has released three solo albums, Gustav Lost in 2016 (FMR Records), The Disruptive Forest in 2017 (Confront), and the mini-album Crude Attempt in 2020 (Pressing Records). A further album of acoustic bass clarinet compositions is expected in 2021 titled Of All The Common Flowers.
Julian Cowley — The Wire 440 — October 2020
This duo session in five parts was recorded in Cheltenham in December 2019. Thanos Chrysakis makes use of laptop and synthesizers while Chris Cundy plays bass clarinet but also zither, megaphone and other objects. Those are the stark facts; the sonic experience is far less readily pinned down. This is electroacoustic music, performed live by two cognoscenti of auras and intimations. Each enters fully into a shared situation rather than enacting a distinct role, and the presence of a tape echo machine heightens the impression of intricate blending and interdependence.
Although Chrysakis and Cundy have chosen not to acknowledge openly the source of their title, the poem by Emily Dickinson which begins with the phrase "There's a certain Slant of light" offers an illuminating angle on the phenomenologically oriented nature of their mysterious and stealthily dramatic music. Dickinson was sensitive to finely graduated changes in her surroundings but also to "internal difference", significant shifts within her own awareness bound bound intimately to subtle alterations in the external environment. Chrysakis and Cundy interact comparably within a continuously mutating context that is shaped by their input but also exceeds it, springing surprises and stretching their responsiveness, individually and together. In the process they transcend not only the familiarity each has with the other's playing, but also familiarity with their own tendencies and inclinations.
A suitably numinous air of luminescence plays across a stream of more localised and well-defined events, the shimmer of transience and marker of passing time. The certain slant in Dickinson's poem is a portent of mortality to which, Dickinson asserts, the physical landscape itself listens. Through his Aural Terrains label Chrysakis documents modulations of reception and response within musical environments, while also registering the finest nuances of internal difference.
Darren Bergstein — The Squid's Ear — 8.10.20
Jean-Michel Van Schouwburg — Orynx — 02.10.2020
Compositeur – improvisateur Grec vivant à Minsk en Biélorussie, Thanos Chrysakis joue principalement de l’orgue et des instruments électroniques. J’ai déjà commenté ici ses remarquables albums – projets avec deux Orgues et Clarinettes basses avec Peer Schlechta, Ove Volquartz et Chris Cundy : Music for Two Organs & Two Bass Clarinets 2018 ). Music for Bass Clarinets (2019) ou Music for Baritone saxophone, Bass Clarinets & Electronics (2019), tous publiés par son label Aural Terrains. Naturel dès lors qu’il se concentre sur un duo avec un de ses plus proches collaborateurs, le clarinettiste basse Chris Cundy, car Thanos aime particulièrement cet instrument dont les ressources du très grave à l’extrême aigu (harmoniques !) sont profondément et intensément malléables et s'insèrent dans ces multiples démarches, surtout sous les doigts et avec le souffle expert de Chris Cundy. Thanos est ici crédité laptop computer, synthesizers et copicat tape echo. Son partenaire joue aussi des « megaphone, voice changer, zither et objects ». Une musique spacieuse, minimaliste que traverse bruissements, drones, vibrations électriques, clusters mystérieux et distendus, des pointes d’harmoniques hyper aiguës de la clarinette basse, sons amplifiés, réverbérés le tout de manière très étalée. Ambient parfois au bord du silence, souffle à peine perceptible de l’amplification, murmures, suggestions … Cinq parties qui développent, prolongent, évoluent et emportent l'auditeur dans un univers à la fois feutré, intemporel et frémissant. Une facette différente de leur travail qui ajoute une nouvelle dimension aux programmes soigneusement conçus et réalisés par Thanos Chrysakis et son (ses) collaborateur(s). Chris Cundy est un instrumentiste et improvisateur plus que remarquable.
Computer Music Journal (2021) 44 (1): 91–93 - Seth Rozanoff - MIT Press