VITA MORGANA
Thanos Chrysakis, Wilfrido Terrazas
Duration 63.30 | Released January 2026
1. Eirmos I
(2011) 17’21’’ for flute
2. Eirmos II
(2011) 10’37’’ for bass flute
3. VITA MORGANA
(2012) 7’40’’ for two bass flutes
4. Carved Continuum
(2024) 8’30’’ for alto flute
5. Night Ray
(2024) 10’16’’ for flute
6. Krama
(2024) 9’06’’ for bass flute
WILFRIDO TERRAZAS
flute, alto flute
bass flute
THANOS CHRYSAKIS
Compositions
Recorded at Studio A, Warren Music Center, UC San Diego
in April and June 2024 by Andrew Munsey.
About the Artists
"He burrows into the inner life of sound and extracts elemental qualities that capture and convey its intrinsic dynamism."
Julian Cowley / The Wire
Thanos Chrysakis is a Greek composer, musician, producer and sound-artist. He is best known for his work in electronic and contemporary music, improvisation, and electro-acoustic music.
With several albums to his name his work has appeared in festivals and events in numerous countries, including CYNETart Festival, Festspielhaus Hellerau - Dresden, Artus Contemporary Arts Studio – Budapest, CRUCE Gallery – Madrid, Fylkingen – Stockholm, Relative (Cross) Hearings festival – Budapest, Festival Futura – Crest - Drôme, FACT Centre – Liverpool, Association Ryoanji – Ahun - Creuse, The Center for Advanced Musical Studies at Chosen Vale — Hanover - New Hampshire, Areté Gallery — Brooklyn - New York, UC San Diego – California - San Diego, Berner Münster – Bern, Fabbrica del Vapore – Milan, Grünewaldsalen – Svensk Musikvår — Stockholm, Splendor – Amsterdam, Logos Foundation – Ghent, Palacio de Bellas Artes – Mexico City, Műcsarnok Kunsthalle – Budapest, Spektrum – Berlin, Susikirtimai X – Vilnius, Festival del Bosque GERMINAL – Mexico City, ДОМ – Moscow, Oosterkerk – Amsterdam, KLANG ! – Montpellier, Nádor Terem – Budapest, Utzon Centre – Aalborg, New Stage of Alexandrinsky Theatre – St. Petersburg, Center for New Music – San Francisco, Västerås Konstmuseum – Västerås, Störung festival – Barcelona, BMIC Cutting Edge concert series at The Warehouse – London.
His music was among the selected works at the International Competition de Musique et d'Art Sonore Electroacoustiques de Bourges 2005, in the category oeuvre d'art sonore électroacoustique, while received an honorary mention in 2006 at the 7th International Electroacoustic Competition Musica Viva in Lisbon (the jury was constituted by Morton Subotnick (USA), François Bayle (France), and Miguel Azguime (Portugal).
He operates the Aural Terrains record label since 2007 where he has released part of his work until now, alongside releases by Kim Cascone, Franscisco López, Tomas Phillips, Dan Warburton, Szilárd Mezei, Michael Edwards, Wade Matthews, Dganit Elyakim, Edith Alonso, Luis Tabuenca, Jeff Gburek, Philippe Petit, Steve Noble, Milo Fine, Liam Hockley and David Ryan among others.
He has written music for musicians of the Hyperion Ensemble, the Stockholm Saxophone Quartet, the Hermes Ensemble, the Nemø Ensemble, the Konus Saxophone Quartett, and the Shadanga Duo among others. Close collaborations with Tim Hodgkinson, Vincent Royer, Chris Cundy, Yoni Silver, Lori Freedman, Jason Alder, Julie Kjaer, Henriette Jensen, William Lang, Wilfrido Terrazas, Philippe Brunet, Wade Matthews, Ernesto Rodrigues, Ove Volquartz to name but a few.
Wilfrido Terrazas is a flutist, improviser, composer, and educator based in San Diego, originally from Ensenada, Mexico. His work explores the edges of notation, improvisation, and collective creativity, and finds inspiration in various experimentalist lineages, Mexican folk traditions, and poetry. He has premiered over 400 works, composed more than 80, and recorded 60+ albums released internationally. Wilfrido has appeared at leading festivals and venues across 22 countries, he is a core member of Generación Espontánea, Mexico City's pioneering improvisers' collective, and co–organizes the Semana Internacional de Improvisación in Ensenada. Since 2017, he has been a professor of music at the University of California San Diego.


